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Figure

1.19

“The World in California,” [Part One, title page]

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Hutchings’ California Magazine 1, no. 8 (Feb. 1857): 338-46.

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Figure 1.19a
“The Indian,” in “The World in California,”
Figure 1.19b
“The Pioneer,” in “The World in California,”
Figure 1.19c
“The Miner,” in “The World in California,”
Figure 1.19d
“The Englishman,” in “The World in California,”
Figure 1.19e
“The Irishman,” in “The World in California,”
Figure 1.19f
“The Jew,” in “The World in California,”
Figure 1.19g
“The Negro,” in “The World in California,”
Figure 1.19h
“The Hybrid,” in “The World in California,”
Figure 1.19i
“Sandwich Islander,” in “The World in California,”
Figure 1.19j
“Chinese—Male and Female,” in “The World in California,”
Figure 1.19k
“Chilians,” in “The World in California,”
Figure 1.19l
“The Hindoo,” in “The World in California,”
Figure 1.19m
“Mexicans,” in “The World in California,”
Figure 1.19n
“The German,” in “The World in California,”
Figure 1.19o
“The Russian,” in “The World in California,”
Figure 1.19p
“Loafers,” in “The World in California,”
Figure 1.19q
“The Italian,” in “The World in California,”
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About the Book

Consuming Identities: Visual Culture in 19th Century San Francisco traces the growth of the commodified image industry in San Francisco during the nineteenth century, incorporating mass-reproduced visual representations of people into a broader history and explaining the cultural roots of modern celebrity.

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© Consuming Identities 2018. Book published by Oxford University Press